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Madame Monsters Feature

Madame Monsters Feature

An intoxicating revival in nightlife entertainment...

KNIGHTS ART FOUNDATION

KNIGHTS ART FOUNDATION

"Circ X is seductive and fearless. it demystifies vice and turns naughty into art". KNIGHTS ART FOUNDATION- Neil De La Flor

The Huffington Post

The Huffington Post

CircX feature in the Huffington Post

MIAMI HERALD- DANCE REVIEW

MIAMI HERALD- DANCE REVIEW

"Artistry and irony on display" THE MIAMI HERALD- Jordan Levin

THE MIAMI HERALD

THE MIAMI HERALD

" The combination of their near naked, perfectly shaped (they are pros after all) bodies, in an all too familiar commercial grind, together by everything implied by the toilet, is grotesquely funny and disturbing. Powerful stuff."

SOUTH BEACH MAGAZINE

SOUTH BEACH MAGAZINE

"Reminiscent of the dark theatrics of the early 20th century Paris and the prewar Berlin-- from the sultry girls dancing behind glass enclosures, to the heavily-horned Pan, that romps through the crowd. Circ X is destined for the nightclub hall of fame". SOUTH BEACH MAGAZINE- Joseph Brown

SEASON OF THE ARTS

SEASON OF THE ARTS

CircX takes to the big stage at the Fillmore Theater

CircX Reviews

"Circ X is seductive and fearless.  It demystifies vice and turns naughty into art".

 

KNIGHTS ART FOUNDATION- NEIL De La FLOR

Scare Actor Miami

"Diana Lozano's Circ X Stripped was the guttiest, most challenging and most revealing-- in more ways than one'.

 

MIAMI HERALD - JORDAN LEVIN

"Circ X is a South Florida based troupe that is unbelievably amazing...From the pre-show interactions to the last dance... I fell head over heels in love with this 20 person troupe."

 

THE HUFFINGTON POST- J.J. COLAGRANDE

" An intoxicating revival in nightlife entertainment, Circ X is a class act".

 

WIRE- TOMAS BAKER

" The combination of their near naked perfectly shaped (they are pros after all) bodies, in an all too familiar commercial grind, together by everything implied by the toilet, is grotesquely funny and disturbing, powerful stuff".

 

THE DANCE REVIEW- JORDAN LEVIN

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